Written by
David Henry Hwang

Directed by
Tracie Pang

Starring
Adrian Pang
Audrey Luo
Daniel Jenkins
Guo Liang (MediaCorp Artiste)
Matt Grey
Oon Shu An

Pangdemonium, one of the best theatre companies in Singapore, has picked Chinglish to be its last show of the year...Pangdemonium's cast is excellent, with Dan Jenkins giving a heartfelt lead performance; Oon Shu An sizzling as the sexy snake of a vice minister; Matt Grey impresses with his confident and unshowy performance and firm command of Mandarin; Adrian Pang and Audrey Luo, in multiple roles, lend strong comic support; TV host Gio Liang oozes charm in a cameo role...

Tracie Pang's direction is reliably solid, the parsing of linguistic structures and expressions gives Chinglish its best moments...scenes where Daniel and the vice minister take pains to communicate despite his zero knowledge of Mandarin and her broken English are perfectly rendered...Set designer Eucien Chia deserves mention for his revolving stage that whisks the audience from one location to another instantly.

A devilishly comedic Pangdemonium production fuelled by hilarious mistranslations, highly comical characters, and, more poignantly, cultural differences that subtly yet hysterically highlights the dichotomy between two powerhouses (China and America)...no easy feat to perfectly imitate all the nuances and subtleties of a foreign accent and also having toact well with it. It was thus a pleasant surprise when the main cast did exactly that, despite working with a language that most of them were not intimately familiar with...

At the climax, the crux of the issue was brought out very poignantly and beautifully. amidst all the hilarity, there is the real and prominent issue of the cultural differences between two vastly different countries. It also effectively erases, or at least, gives us a lot to ponder about with regard to the usual stereotypes that we attribute to the Mainland Chinese. In particular, in the Singaporean context, it certainly gives us food-for-thought, as this theme fits in nicely within our multi-racial and cultural society, reminding us that there is more than meets the eye behind the many stereotypes.

It is in the moments that Chinglish transcends the language barrier that we see the true heart of the story. Particularly arresting are the interactions between Daniel Jenkins’ Cavanaugh and the sleek, self-confident Vice-Minister Xi Yan, played beautifully by Oon Shu Ann. Their exchanges are more about each character: the haughty Xi Yan only expresses her true thoughts in the language she knows he cannot understand, while he speaks English to her with an earnestness that practically begs to be understood. Caught in the presence of foreign-ness, each finds a curious, limited freedom.

Watching Chinglish was an interesting experience as a Chinese Singaporean. Watching the back-and-forth of both hopelessly confused sides, I found myself straddling that divide; understanding both languages as well as appreciating where each culture is coming from. In Adrian Pang’s Minister Cai Guoliang I was surprised to find characteristics I recognise in my Chinese-born father – the affable bravado, the agreeableness (even when you know you can’t quite deliver) and, most amusingly, the way he answers calls. While neither a child of America nor of China, there were many moments within the play in which I felt able to relate to both.

And perhaps that comes from the core of the play: beneath all the language mix-ups and culture clashes lies a shared humanity of friendship, ambition, desire and even isolation and fear that we can all understand.

Pangdemonium's very competent production...all the sharp jokes are delivered with zing...with a basic knowledge of Mandarin, may of the play's subtler jokes and enjoyable wordplay come to light...buoyed by a solid cast who show great affection for their characters, Chinglish tries to move us from laughing at mistranslations to loving them, and we do...A delight!

Entertaining romp through the sometimes wild and zany world that is business in China...especially in a country like Singapore, where most people are fairly familiar with both English and Chinese, that this play works particularly well...

Pangdemonium has assembled yet another particularly stellar cast for this production, with Daniel Jenkins and Oon Shu An ably carrying the bulk of the load, while Matt Grey blows everyone’s socks off with the considerable fluency of his Mandarin; The set design by Eucien Chia – probably one of the more beautiful ones I’ve seen in awhile, of the many backdrops I’ve seen, this one is easily one of the most memorable.

The cast of Chinglish is a strong one...Audrey Luo stealing the show with her side-splitting impressions of three different translators...Matt Grey won over the crowd with his fluent Mandarin, specially learnt for the production. Daniel Jenkins further charmed the audience...

The play was well-served with a beautiful set and multimedia screens cleverly built in...tickets for the entire run have been sold out, and it is heartening to see Singapore's theatre scene blossoming in vibrancy.

CHINGLISH was a fabulous laugh riot! Pangdemonium further demonstrates their wonderful range by tackling this hilarious and thought-provoking comedy of manners and miscommunication. Director Tracie Pang once again shows her versatility, and more than rises to the challenge of helming a piece that's 50% in a foreign language. She expertly balances the plentiful belly laughs with moments of poignancy, and gets her hard-working cast to bring out the most and the best in the writing.

One of the many things that makes Pangdemonium outstanding is that they always take risks and never "play safe" - for example, they should be applauded for their continued efforts to push actors out of their comfort zones in order to embrace unfamiliar languages and accents. What an exciting and eclectic 2015 Season they have given us, and I cannot wait for their 2016 Season of Love. Pangdemonium is continually proving that they are the most exciting theatre company in action in Singapore today.

Brilliant entertainment! This year, Pangdemonium brought us a bittersweet comic character study (Circle Mirror Transformation), a powerfully emotion-shredding and enlightening family drama (Tribes), and now they hit us with, without a doubt, the funniest play I have seen in ages - Chinglish.

Director Tracie Pang has done a wonderful job once again, bringing out excellent performances from her cast, and mercilessly teasing out laugh after laugh, then blind-siding us with a sobering exposition of human frailty and folly. Brilliant job, Pangdemonium. I am so looking forward to your 2016 Season!

Pangdemonium's productions have been consistently of the highest quality in every way. But what I'm particularly struck by is how director Tracie Pang has always orchestrated the bigger picture skilfully, while expertly bringing out the very best performances in her respective casts, collectively and individually. From heart wrenching stories like Rabbit Hole and emotional roller-coaster musicals like Next to Normal, to caustic comedies like Fat Pig and localised feel-good fare like Little Voice, to powerful and poignant dramas like Frozen and Tribes, and now a satirical laugh-fest like Chinglish (with Oon Shu An impressively flexing acting muscles hitherto undiscovered).

Tracie Pang takes bold risks with her casting choices, challenging and guiding her actors to gift us with career-best performances. She truly demonstrates what it means to be an "actor's director". Bravo!

Fat Pig made me guffaw guiltily, Little Voice made me gasp in awe, Frozen gave me nightmares, Circle Mirror made me call my estranged father, Tribes made me open my (teary) eyes and ears to another world, and now Chinglish made me laugh my butt off. But most importantly every single Pangdemonium production makes me THINK and FEEL and want to DO something to make life - my own and that of those around me - more meaningful.

Pangdemonium, please keep busting my gut, breaking my heart, blowing my mind, and kicking my ass!

Masterful. Surprising. Sold out...I almost gagged because one of my meetings in Beijing was being played out onstage. All the talk about "guanxi" is real when doing business in China - it is tedious and intricate. And this play captured that well. The staging was intimate and effective.

What lifted the play was the smart interpretation of the script and the casting. Oon Shu An was sharp and spot on; the breakout star was Audrey Luo.

I am a fan girl! The show was hilarious: what we do for love, ambition and self-preservation. If you can score a ticket to the sold-out run, then enjoy the intoxicating story.

Cross culture. Bi-culture. Challenges. Shenanigans.

Pangdemonium's production of Chinglish is a hilariously laugh-out-loud riot. Truly a play worth watching. Despite it being written in America, I find that this play has a lot of resonance here in Singapore.

Thanks to the people at Pangdemonium for an interesting season and this final production of the year certainly was a good choice.

Awesome production by Pangdemonium. It was fantastic to see a diverse cast working so well together on such a refreshing contemporary script for the stage with a nice homage to Asian values too. Masterful set design.

Great easter eggs hidden in the show for those who know their pop culture! Excellent work, Pangdemonium!

Another wonderful production by Pangdemonium, rounding off their brilliant Transformation Trilogy! Chinglish was an absolute abdominal workout from all the laughter. A thrilling and witty play expertly directed by Tracie Pang, and performed by an excellent cast.

Caught Chinglish for the comedy, but what i took away was that, as someone who speaks English most of the time, I used to feel like everyone should speak English too.

However it is important to remember that not everyone's first language is English, and we should all be a little more understanding towards each other. Shows are all sold out but you can try your luck.

Pangdemonium are doing RENT next season - OMG!!!

Written by
Patrick Marber

Directed by
Tracie Pang

Starring
Adrian Pang
Keagan Kang
Daniel Jenkins
Daniel York
Andy Tear
Julian Low

Dealer's Choice! A confident, ballsy production...incredibly funny and terribly sad... the six-man cast put in fine performances in a production defined by solid design values. The title of this play could well be called Reviewer's Choice.

DEALER'S CHOICE is a royal flush!...a play positively dripping with witty, sarcastic lines...ably brought to life by the A-grade cast...audiences will have a hard time putting on their best poker faces while watching Dealer’s Choice!

The secret to PANGDEMONIUM!'s production is solid acting and excellent production values. Dealer's Choice presents a snapshot of humanity that is full of wit, hilarity and bittersweet sympathy - joy to watch.

Written by
Nina Raine

Directed by
Tracie Pang

Starring
Adrian Pang
Ethel Yap
Frances Lee
Gavin Yap
Susan Tordoff
Thomas Pang

Warm, wickedly funny, remarkably moving production by Pangdemonium...intense and explosive...will have you in laughter and tears....Pangdemonium spares no effort in making the production accessible to audiences both hearing and non hearing...the ensemble is a taut string carefully unwound...stunning professional debut of Thomas Pang, a revelation...

Director Tracie Pang has orchestrated an intimate family drama of incredible proportions, choreographing this dysfunctional brood into a symphony of clever counterpoint and subtext - every scene is beautifully calibrated. She plays with our expectations of what it means to hear one another out, and captures what playwright Raine made the context of the play - the textures and ruptures of language, the tribes we cling to and what it means to put yourself in another person's shoes. Book it today!

Pangdemonium's pitch-perfect comic-drama Tribes...truly provocative, heartbreaking, humane, profound and merciless all at once...Director Tracie Pang mines every word and gesture for their humour and brutality, extraordinary moments when speech, signed gestures and surtitles become a perfect storm of communication breakdown; and her casting decisions are excellent...Gavin Yap and Thomas Pang as the brothers are, in a word, electric.

Pangdemonium's pitch-perfect production...smart, moving and humorous...Tracie Pang's sensitive, meticulous and pitch perfect direction allows us to enjoy TRIBES as a family dramedy even as we willingly embrace its intellectual edge...tight, generous performances all round ensure that it is a show full of heart…Gavin Yap - heartbreaking... (in Thomas Pang) Pangdemonium has unearthed another talent to watch out for yet again...

Hear us out: Watch this play!

★★★★ Pangdemonium has been building a reputation for being a company unafraid to stage plays that deal with difficult issues. But with TRIBES, they take things up a notch and achieve something truly hard-hitting, comical, and tender at the same time...Thanks to Tracie Pang’s expert direction, watching this group of actors is, indeed, like catching a glimpse of a tribe...The cast shines.

Thomas Pang deserves special mention, (with) his nuanced portrayal of the sweet yet isolated Billy. Ethel Yap is another outstanding actor...It’s evident the production achieves what it set out to do: give a voice and soul to a community that is largely ignored by the public. There are a lot of words that get tossed around here – either hilarious or hurtful – but by the time the curtain falls, we find that even when speech is taken away, so much can still be said.

Easily one of the most enjoyable and well-executed Pangdemonium plays...Pacy and funny...it is in the performances that TRIBES truly sets itself apart...Thomas Pang, in what might be one of the most amazing professional debuts...Ethel Yap shines…Gavin Yap - brilliant!

Read my lips – TRIBES is a play you don’t want to miss.

When it comes to theatre company Pangdemonium, our expectations are always high. TRIBES is not to be missed...The balance of comedy and drama makes it a winner...TRIBES tells us a lot of things: about the isolation one can feel within their family, the struggles of being deaf, and how every oddball is searching for their place to be heard - we heard it all, unspoken or not, and it has changed us for the better.

With this excellent production of Tribes, Pangdemonium have returned to the zenith of fine theatre making in Singapore...Tracie Pang's taut direction drives the play and each scene is handled with her characteristic sensitivity and attention to detail...delightful and thoroughly affecting piece of theatre.

The cast, a superb ensemble of six, turn in compelling performances and are thoroughly engaging: Adrian Pang and Sue Tordoff convey the undercurrents of marriage with riotous honesty; Gavin Yap and Frances Lee - delightful; Thomas Pang in his stunning professional stage debut as Billy, joins the ranks of actors who have been nurtured by Pangdemonium and have emerged as fantastic young actors in the entertainment scene today...Ethel Yap likewise makes a very strong impression.

With Tribes, Pangdemonium reminds us that when learning to understand one another, actions speak so much louder than words.

As someone lucky enough to be a regular theatre-goer in Singapore and all around the world, let me declare this: Pangdemonium's TRIBES is the best piece of theatre I have seen in years. Director Tracie Pang has taken on a monumental task and achieved something magnificent: from a supremely challenging and tricky script, she has expertly guided her cast to individually and collectively give honest, nuanced and powerful portrayals, resulting in a stunning ensemble performance; she has also pulled together all the technical aspects of the production and made them organic and alive; and ultimately she has created a piece of story-telling that is on one level a great piece of entertainment, and on a deeper level profoundly resonant in so many ways.

Told with wit, heart and guts, this beautiful production is a very important piece of theatre, and one that will stay with many audience members lucky enough have caught this. Once again, brilliant work, Pangdemonium, simply brilliant.

I was blown away. This is an amazing play with powerful performances, stunning set design, and tight, brilliant direction. This riveting play with its troubling themes of deafness in all its forms and how we may hear but not listen is a challenging one to stage and perform but that didn't deter Pangdemonium from offering it as their second play of the 2015 season and I'm glad they did—it's one of the best theatrical productions ever staged here.

Grab your tribe and head down to watch it! Congratulations Adrian and Tracie Pang!

We have just seen one of the best performances possible. Stunningly right and truthful. You should be deeply proud of yourselves. It's the kind of experience that vindicates a lifetime of visiting theatres and all the near misses one sees in theatres. It reminds you why it all matters so much.

We were, in other words, most deeply moved. Thank you for the experience. Great congratulations.

BRILLIANT on so many levels. To the cast, thanks for the honest, sincere, engaging performances. To (set designer) Wong Chee Wai, the stunning and meticulously assembled set took my breath away. To director Tracie Pang, what my heart felt, no spoken word can encapsulate.

Spent my Sunday evening watching a phenomenal play, Tribes. It was relatable in many ways, thought-provoking and heart-wrenching. As I sat there with my mind a spiderweb of thoughts and feelings, my eyes welled up at all the many breathtaking moments that were presented before me.

Tribes is definitely a play that not only hit the right spot for me but it was also beautifully put together and produced - the elaborate and intricate set, a world class cast, incredible acting and the superb use of music and multimedia. Tribes will be one play that has unquestionably left a mark in my heart.

Thank you Pangdemonium for this magnificent production.

Tribes was exquisitely well produced by Pangdemonium and it presented a very gripping, thought-provoking perspective on deaf culture I would not have otherwise known. I relished and lapped up every single detail put onto the stage, from the impeccably elaborate set, the directing and blocking, the fusion of multimedia, and a first for me – sign language translators, who were meticulous with their delivery not just with their hands but with their face and body, emotions pulsing through every movement.

The actors have each poured in so much into their roles and captured all the subtext that needed to be shown. Thank you for this!

Fantastic play! Funny, thought provoking and meaningful! Best productions in Singapore are from Pangdemomium!

TRIBES is the most honest piece of theatre I've seen. If you wanna know what good theatre is, then TRIBES is a great case study.

Everything from the set to the acting to the writing to the direction was beautifully nuanced and just plain honest.

If you haven't watched Tribes by Pangdemonium you absolutely must. There is no negotiation. I have not been so blown away by a production in years.

Thanks Pangdemonium for the awesome two hours of education and entertainment. Made me rethink about how humans connect with each other, and how deaf my heart can be sometimes, even when I have functioning ears.

Written by
Patrick Marber

Directed by
Tracie Pang

Starring
Adrian Pang
Tan Kheng Hua
Keagan Kang
Cynthia Lee MacQuarrie

A highly competent staging of Marber's play and one that makes for a very enjoyable evening to boot. There is no denying that Pangdemonium's production of Closer is excellent.

Pangdemonium should be commended for bringing Patrick Marber's CLOSER to the Singapore stage...a helluva play. The play keeps us on the edge of our seats.

Forget the film - this CLOSER is a richer, more nuanced, fulfilling experience. Director Tracie Pang deftly highlights the twists and turns of the drama.