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For us to Kick Ass in theatre, we have to make sure everyone gets to be a part of it! As part of Pangdemonium’s new initiative to make our shows more accessible to the general public, we have designated some of our show dates to be either relaxed performances or captioned performances.

Relaxed Performances:
13 March 2024, 8pm (Wednesday)
23 March 2024, 3pm (Saturday)

As our show touches on the subject of autism, we want to give the neurodiverse community the correct access requirements so that everyone in our diverse community can enjoy Falling.

Minor changes will be made to our show to accommodate this, such as reduction in sound levels, relaxed lighting and allowing access to a calm room for any audience member who wish to step out to take a break.

Captioned Performances:
12 March 2024, 8pm (Tuesday)
24 March 2024, 3pm (Sunday)

We would also want our hard of hearing patrons to enjoy the show as well, so these performances would include LED captioning panels placed above Sections A & B. The captions are generated in real-time, so patrons will be able to understand what the actors are saying. In order to view of the LED captioning panels, please book seats that are in Section A & B.

Preview 8 Mar 2024
Standard: S$65, S$50
Restricted View: S$20

Fri / Sat Evenings
Standard: S$85, S$70
Restricted View: S$40

Sun / Tue/ Wed / Thu / Matinees
Standard: S$75, S$60
Restricted View: S$30

DISCOUNTS:

10% off for DBS/POSB Cardmembers & DBS Paylah! users:

• Applicable to Cat 1 and 2 only
• Valid from 15 Feb 2024 onwards
• Not applicable to Preview show (8 Mar 2024, 8pm)

25% off for Students (Local/Overseas):

• Applicable to all price categories on Tuesday performances only
• Verification: valid Student Pass
• Patrons unable to present proof of eligibility at the door will be required to upgrade their concession tickets to full-price tickets.
• Not applicable to Preview show (7 Mar 2024, 8.00pm) and Restricted View Seats.

25% off for Senior Citizens (55 years old and above):

• Applicable to all price categories on Wednesday performances only
• Verification: valid Pass/IC/Passport as proof of age
• Patrons unable to present proof of eligibility at the door will be required to upgrade their concession tickets to full-price tickets.
• Not applicable to Preview show (7 Mar 2024, 8.00pm) and Restricted View Seats.

20% off for Full-time NSFs:

• Verification: valid 11B/ID as proof of age
• Patrons unable to present proof of eligibility at the door will be required to upgrade their concession tickets to full-price tickets.
• Not applicable to Preview show (7 Mar 2024, 8.00pm) and Restricted View Seats.

20% off for Persons with Disabilities (PWDs):

• Applicable to all shows, except Preview Show (7 Mar 2024, 8pm) and Restricted View.
• Verification: valid official MSF card from SG Enable.
• Patrons unable to present proof of eligibility at the door will be required to upgrade their concession tickets to full-price tickets.

• Director
  Tracie Pang
  
  Assistant Director
  Timothy Koh
  
  Written by
  Deanna Jent

  Cast
  Andrew Marko
  Karen Tan
  Dwayne Lau
  Lok Meng Chue
  Rebecca Ashley Dass

  ,

  Set Designer
  Eucien Chia
  
  Associate Set Designer
  Grace Lin
  

  Lighting Designer
  James Tan

  Sound Designer & Composer
  Jing Ng

   

  ,

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• Under the careful direction of Tracie Pang, this is a powerful, heart-wrenching, brutally honest, intensely emotional journey…Andrew Marko shines. Intense as it may be, the play is a must-watch.

  , Straits Times Life

• Stunning.

  , Bakchormeeboy

• Pangdemonium's ‘Falling’ exceeds expectations with a simple yet poignant storyline. The cast's stellar performances draw you into the struggles of a family navigating autism. The emotional intensity is palpable, making the experience both difficult and profoundly moving. Despite the discomfort, the production's excellence shines through, leaving a lasting impression. Bravo, @pangdemoniumtheatre, for delivering another outstanding theatrical gem.

  , yanzweiger

• ’Falling’ is more than just a play; it is a testament to the power of storytelling in fostering empathy and compassion. It serves as a mirror reflecting the realities faced by those affected by ASD and how much more our community can do to support these kids and those awesome caregivers, while also celebrating their unique strengths and perspectives. This extraordinary production offers not only entertainment but also a profound opportunity for reflection and growth. Come and witness the brilliance of Pangdemonium's Falling, a theatrical masterpiece that leaves an indelible mark on your heart and mind.

  , Jeremy Yuen

• What's life like for individuals with autism and for their caregivers? FALLING shows us with heart, humour & gut-wrenching humanity. Powerhouse performances from Andrew Marko, Karen Tan, Dwayne Lau, Rebecca Dass & Lok Meng Chue, make this play essential-viewing. Everyone needs to see this. Thank you Pangdemonium for bringing this back.

  , dizzie_t

• Kudos to Pangdemonium for restaging this amazing performance and bringing to light struggles that often go unspoken in the autism community. Andrew Marko's acting was phenomenal and I would highly recommend catching it.

  , etsyexplores

• When I watched this in 2016, ‘Falling’ touched my heart and gave me the feels.
  Watching it in 2024, it touched my heart and gave me the feels all over again.
  What a wonderful job both rounds, Pangdemonium! Thank you for reviving such a wonderful play with a powerful message, and raising awareness for the Autism community. You guys are amazing!

  , cardfirem

• An absolute MUST-watch! FALLING by Pangdemonium. This live in-person theatre experience had me sobbing. Standing ovation for the cast and crew who told the story of a family raising an autistic 18 year-old, Josh played by Andrew Marko, who was BRILLIANT. As the Artistic Directors rightly put it, FALLING is not a sob story, but "merely one chapter of one family's life" that also "highlights the need for society's apathy towards autism to be replaced by empathy

  , halimkopi

• ’Falling’ by Pangdemonium was just as incredible as the first time it was staged. I watched it twice in the original staging because it was just so good. I'm not an outwardly emotional person but this play shatters me completely, there is no escaping it.
  The show is such a powerful medium for bringing important topics like autism advocacy and caregiver support/burnout/guilt to the forefront. I urge you to catch Falling if you have the means to - you will not regret it at all.

  , donthavelah

• The magic of live theatre: the phenomenal performance by the cast very honestly portrayed the life of and with Josh. Very grateful to Pangdemonium for telling a story that’s so raw, emotional and humbling. I hope more people watch it; more education will lead to more awareness and hopefully better societal acceptance

  , jowwaye

• Pangdemonium has broken my heart with this brilliant piece of theatre. We think we all know that the families who have members on the spectrum are having it tough, but do we really? The stellar cast gives us a glimpse of their everyday lives and I have to say my heart is truly, truly broken, and goes out to all the families who are leading parallel lives.
  May you all be strong warriors. EVERYBODY PLEASE DO YOURSELVES A FAVOUR:
  GO WATCH

  , aricia.ng

• I am once again reminded of the power of theatre, and its ability to bring out depths in every emotion and every word spoken. This is my second time catching this play by Pangdemonium, and I love it more than ever. Andrew Marko was phenomenal. Definitely walking away with new perspectives and understanding, and the urge to do a little more with what I have.

  , piqya

• images/events-details/2023/Doubt/Doubt-21x9.jpg, ,

• Director
  Timothy Koh

  Playwright
  John Patrick Shanley

  Cast

  Jason Godfrey
  Neo Swee Lin
  Ching Shu Yi
  Sharon Frese

  Set Designer
  Eucien Chia

  Lighting Designer
  Genevieve Peck

  Sound Designer
  Daniel Wong

  Costume Designer
  Leonard Augustine Choo

  , ,

• It’s savage yet funny, excavating the nuance of the script and creating fine drama.

  , Naeem Kapadia

• A strong script and cast carries this powerful story to its climactic conclusion.

  , The Straits Times

• ***** Taut, thrilling battle of truth, faith and conviction

  , Bakchormeeboy

• Powerful and thought provoking. Certainty is the last thing you would walk out of the theatre with. Insanely Good, definitely not now to miss.

  , @faithhoon

• What a show! Extremely tight, phenomenal acting by all and bold directing choices.

  , Poh Yi Neng

• So thankful to have caught Pangdemonium’s Doubt: A Parable, left the theatre in deep thought as usual, as you would after watching any Pangdemonium production.

  , @pauleprincess

• What a performance by the stellar cast! If you love a thought-provoking piece of theatre that sparks conversation, catch Doubt: A Parable!

  , @kextay

• Gripping drama all the way! Every actor has done immense justice to each character and brought them to life! Amazing work.

  , @harminaofficial

• Casting was perfect and we were floored by how the 4 characters were so vividly different in how they approached feelings of skepticism and uncertainty.

  , @lingles

• This was a parable to depict in a gripping manner how doubt can poison the mind and vitiate the atmosphere, with everyone labouring under the illusion that things are black and white when they are most certainly not. Kudos to the director and the actors, all of the them did a stellar job.

  , Supriya Sen

• A simple, honest and superlatively impactful production. Without a doubt it is a must-watch for any human who is trying to makes sense of the world.

  , @chance

• A thought provoking play, and this production by Pangdemonium certainly does it justice. What is not in doubt is this play’s excellent quality, and its ability to stimulate thinking.

  , @arkynshows

• What a beautifully written and well directed play. Riveting and brilliant indeed! Had me sitting a the edge of my seat the WHOLE TIME!

  , @asyr4f17

• images/events-details/2023/Into-the-woods-/WOODS_21x9.jpg, ,

25% off for Students (Local/Overseas):

• Applicable to all price categories on Tuesday performances only
• Verification: valid Student Pass
• Patrons unable to present proof of eligibility at the door will be required to upgrade their concession tickets to full-price tickets
• Not applicable to Preview show (27 Oct 2023, 7.30pm) and Restricted View Seats
  

15% off for Senior Citizen (55 years old and above):

• Applicable to all price categories on Wednesday performances only
• Verification: valid Pass/IC/Passport as proof of age
• Patrons unable to present proof of eligibility at the door will be required to upgrade their concession tickets to full-price tickets
• Not applicable to Preview show (27 Oct 2023, 7.30pm) and Restricted View Seats 

15% off for Full-time NSFs:

• Verification: valid 11B/ID as proof of age
• Patrons unable to present proof of eligibility at the door will be required to upgrade their concession tickets to full-price tickets
• Not applicable to Preview show (27 Oct 2023, 7.30pm) and Restricted View Seats 
  
  
  

Click here to enjoy promotions from our F&B Partners for Into the Woods!

Under 25 Youth Ticket:

— UNDER 25 TICKETS HAVE NOW BEEN SOLD OUT —

Q: What is U25?

A: The Pangdemonium Under 25 Youth Ticket is a $25 ticket scheme for young people up to the age of 25 to purchase a Category 2 ticket for just $25. The rest of the price of the ticket will be subsidised from donations by individuals, corporate organisations, and foundations. This initiative is graciously supported by U.S. Embassy Singapore as well as the Chew How Teck Foundation.

Q: What are the days that I can purchase the U25 Tickets?
A: The U25 tickets are only available for the Wednesday, Thursday, Saturday Matinee & Sunday Matinee shows.

Q:Where and how can I buy the U25 Ticket?
A: Click onto the light blue section of the Category 2 portion on the seat map when selecting seat category to select the U25 option.

Q: Where do I collect the ticket?
A: Please collect your physical ticket at the Pangdemonium reception table located at Singtel Waterfront Theatre one hour before the performance time.

Q: I am 55 years old, but my daughter is 17 years old, can I buy the tickets for them?
A: Yes you are able to buy for them, but do take note that anyone above 25 years old would have to purchase a standard priced ticket. We will be asking for a valid form of identification upon ticket collection for verification of age. Patrons unable to present proof of eligibility at the door will be required to upgrade their concession tickets to full-priced tickets.

Q: I am 25 years old this year, can I buy a ticket?
A: Yes, we go by birth year, not birth date. As long as your birth year is 1998 and after, you are able to purchase the U25 ticket for yourself.

Preview 27 Oct 2023
Standard: S$85, S$70, S$50
Restricted View: S$35

Fri / Sat Evenings
Standard: S$110, S$95, S$75
Restricted View: S$60

Sun / Tue/ Wed / Thu / Matinees
Standard: S$95, S$80, S$60
Restricted View: S$45

UNDER25 (available only for Wed, Thurs, Sat & Sun Matinee shows) (SOLD OUT)
Standard: S$25

• Director
  Tracie Pang
  

  Music and Lyrics
  Stephen Sondheim

  Book
  James Lapine

  Originally Directed on Broadway 
  James Lapine

  Orchestrations
  Jonathan Tunick

  
  Cast (in alphabetical order)
  Benjamin Chow
  Chloe E-Shyan Chua
  Inch Chua
  Candice de Rozario
  Mina Ellen Kaye
  Vanessa Kee
  Daniel Koek
  Frances Lee
  Preston Lim
  Sharon Mah
  Andrew Marko
  Victoria Mintey
  Nathania Ong
  Adrian Pang
  Gaby Rae
  Marissa Vojodi
  Ethel Yap
  Crenshaw Yeo
  Andy Yew 
  
  

   

  ,

  Choreographer
  Andy Benjamin Cai

  Music Director
  Joel Nah

  Vocal Coach
  TJ Taylor

  Set Designer
  Eucien Chia

  Lighting Designer
  James Tan

  Sound Designer
  Jing Ng

  Costume Designer
  Leonard Augustine Choo
  
  Wig Designer
  Leong Lim

  ,

  Orchestra:
  
  Keyboard 1
  Jane Foo
  
  Keyboard 2
  Joel Nah
  
  Percussion
  Rizal Sanip
  
  Cello 
  Ryan Sim 
  
  Woodwind
  Zaidi Sabtu-Ramli
  
  Trumpet
  Kenneth Lun
  
  Violin 
  Christina Zhou
  
  Viola
  Han Oh 

• The level of talent and skills on stage not only raises expectations for Singaporean actors in general, but also demonstrates their ability to rival touring casts on Broadway and the West End. 

  , The Straits Times

• Sondheim's musical is a classic for good reason, but Pangdemonium has elevated it, made it their own, and is assuredly the best musical you'll see in Singapore this year.

  , Bakchormeeboy

• 'Into The Woods' is an ambitious musical by any stretch and [Pangdemonium] truly rises to the occasion, bringing their season to a triumphant close.

  , Crystalwords

• The quality of this show was outstanding and the entire cast was absolutely incredible.

  , @jodeakin

• What an amazing take on one of the most classic Sondheim favourites!

  , @cardfirem

• For 3 hours, this powerhouse cast completely transported me into the whimsical world of Sondheim […] and every minute along the way, I kept wishing I didn’t have to leave…

  , @jonlimstoryteller

• One of the most beautiful stories ever told by amazing Sondheim and Lapine, performed with majesty by [Pangdemonium].

  , @maryselazamora

• The impeccable performance, breathtaking music, and mesmerising set design left me spellbound.

  , @lingzhi_xo

• What a talented cast [Pangdemonium] has assembled for Into the Woods… as a Sondheim fan, I have to say they did justice to his complex lyrics. #bravo

  , @fernshewrote

• So glad that [Pangdemonium] are putting up such awesome stagings of musicals like Into the Woods…that are comparable (and even better) to shows I’ve seen on West End.

  , @jilly_pootpoot

• Phenomenal cast, musicians, production team and direction… truly a show not to be missed!

  , @vic7amm

• Outstanding production of Into the Woods… [Tracie] did such an astonishing directorial job with an equally astonishing cast and team.

  , @bearichmond

• Yet another splendid local production you cannot miss! […] I was blown away by the talent on stage!

  , @pat_choy_

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Preview (25 Mar 2023)
Standard: S$60, S$50, S$40
Restricted View: S$35

Fri / Sat Evenings
Standard: S$85, S$75, S$65
Restricted View: S$60

Sun / Tue / Wed / Thu / Matinees
Standard: S$75, S$65, S$55
Restricted View: S$50

*No admission and re-admission will be allowed into the venue once the performance has started.

• Director
  Tracie Pang

  Playwright
  Duncan Macmillan

  Cast
  Shona Benson
  Rebecca Ashley Dass
  Rebekah Sangeetha Dorai
  Sharda Harrison
  Krissy Jesudason
  Keagan Kang
  Shane Mardjuki
  Victoria Mintey
  Adrian Pang
  Jamil Schulze
  Tan Guo Lian Sutton
  
  
  

   

  ,

  Movement Director
  Andy Benjamin Cai

  Production Designer
  Philip Engleheart

  Lighting Designer
  James Tan

  Sound Designer
  Jing Ng

  Multimedia Designer
  Genevieve Peck

  ,

• “Directed by Tracie Pang and grippingly held together by the hurricane-lke Sharda Harrison [in] a role [she] carries off imperiously…This plays power lies in its forcing audiences to experience the serpent coil of addiction.”

  , The Straits Times

• “Unflinching, haunting, harrowing.”

  , Bakchormeeboy

• “Extraordinary…A brilliant, brilliant production delivered by a superb cast. Exquisite direction and design. And a tour de force performance by the wonderful Sharda Harrison. Thank you, Pangdemonium, for delivering this vital play.”

  , Matt Grey

• “It’s been so long since I watched something that made me feel so much. Went in with my walls yup but the writing and the commitment to the performance just bulldozed its way through. Tonight was a sobering reminder to feel all the feelings, to sit in the mess, and that we are all doing our best to figure it out.”

  , @tanhuier_

• “The actors broke my heart and moved me continuously throughout the play. And what a GREAT SCRIPT!!! GO AND WATCH THIS PLEASE!!! One of the best things I have EVER WATCHED! On top of just brilliant, sensitive, powerhouse acting, this show was pure good ol’ theatre magic - I was having an EXPERIENCE, my disbelief fully suspended. The bodies!!! Alive!!! In space!!! The sequences!!! Lights, set, sound, everything!!! Dammit I love theatre!!!”

  , @xuanniiex

• “It’s gripping, it’s raw, it’s engaging. Pangdemonium hits the spot again, and every time they are addressing domestic social concerns, and they never fail to deliver! Thank you! It’s such a privilege to experience such a spectacular performance! Bravo! Bravo!”

  , @jbb_lkh

• “Grateful for Pangdemonium once again - Thank you for tackling the dark topics of our human condition, for always delivering it so honestly and vividly, and for opening up difficult conversations. Blown away by the acting. Love the traverse stage and surprises. And fully shaken by the mercilessly brutal script.”

  , @wahderer

• “Loved so many things about this - the phenomenal acting, the relatable scenes that gave me goosies, the existential topics, the clever set design, the madness…it didn’t feel like three hours at all. Easily one of the best things I’ve watched and it really lives up to its hype. Please catch it!”

  , @anwarfive

• “Superb. It is a tour de force in terms of staging, direction and acting. An 11-strong cast, led by the powerhouse that is Sharda Harrison, took us through the intimate horrors of drug addiction and the toll it takes on an addict and the people around her. This play cracks open window and gives life and breath to the issue. At 3 hours, its not an easy ride, but for those who appreciate good theatre and solid writing, this is it. Don’t miss it.”

  , Ong Soh Chin

• “This might have been the best thing I've ever seen. 3 hours of complete immersion and an emotional rollercoaster. Thank you for such an amazing experience, Pangdemonium.”

  , @bharat_k

• “Pangdemonium has done it again. Speechless. The messages and emotions are profound. Thank you, Pangdemonium, for always confronting the real issues head on.”

  , Gynelle McHugo Gaskell

• “An absolute thrill ride. Intense story - a truly eye-opening look at the challenges that addicts face. Fantastic use of projection and sound. The production was incredibly well-executed, and the performances was nothing short of stellar.”

  , @reignofcomputer