Stage Right Playwriting Workshop 2017
“A great play can only come out of a great script. It takes a special talent to write a great script. And it takes an even more special kind of talent to turn a great script into a heap of garbage on stage.”
- Kevin Spacey
Are you between the ages of 14 and 25 and have a story to tell, and are hungry for an opportunity to tell it? Do you think you have what it takes to turn your story into a brilliant script for a brilliant play? In other words, DO YOU WANT TO BE A PLAYWRIGHT?
As part of the DBS-Pangdemonium NextGen Education Programme to nurture young talents, the STAGE RIGHT Workshop will provide you with the tools to turn your story into a script that will be entertaining, enthralling, and enlightening – everything that good theatre should be!
Under the guidance and mentorship of Workshop Director Stephanie Street – a Singaporean who has worked as an actress and playwright in the UK for over 20 years, and is Literary Associate with the UK’s HighTide Festval Theatre – you will learn all about narrative structure, scene construction, character creation, dialogue development, and everything about writing great drama!
From your invaluable experience at our STAGE RIGHT Workshop, you will develop a script, have it workshopped with professional actors, and showcased in staged readings in front of an audience!
Email applications to firstname.lastname@example.org with subject header: “Stage Right 2017 Application [NAME]”.
Please include your birth date, full name and contact number in the email body.
2017 applications are now OPEN!
Stage Right 2017 Details (For 14-25 years old)
To develop a 10-15-minute play by end of the workshop week to be showcased in a reading by professional actors
- Application closes – Sun, 1 October, 23:59
- Workshop & Showcase – Monday to Friday, 27 Nov – 1 Dec 2017 with Showcase on Saturday, 2 Dec, 2017
*Note students will be need to be available all-day Saturday for tech/dress rehearsals.
- Workshops – Pangdemonium Rehearsal Studio
- Showcase – TBC
- Send in an original 3-minute scene involving two to four characters in a situation of conflict
- Please number pages
- Font – Courier New, size 12
- Please include title of scene and Writer’s name on first page
In support of our commitment to nurture promising theatre talents, our Next-Gen Education programme sponsor DBS will be providing a scholarship for a promising young writer to be part of our Stage Right Workshop.
To apply, include in your application the answer to this question:
In 250 words or less, tell us why playwriting excites you, some of the plays that have inspired you and why you believe this workshop will help your writing.
Some feedback from a few aspiring playwrights who attended our inaugural Stage Right Workshop in 2015:
“Stage Right kickstarted my foray into playwriting, and has been a thoroughly enriching creative experience; the guidance of Steph, our workshop director, has provided me with valuable tools that I now wield every time I pick up pen and paper to write.” – Samantha Tan
“This course really helped us workshop our scripts, collaborating with a group, getting feedback, hearing other people read your lines. It was an invaluable experience because you realise how other people are making linkages and connections in different ways than you did on paper. It was amazing to learn how much can be done in this kind of creative space rather than just being stuck in your own mind.” – Annabel Tan
“Pangdemonium’s Stage Right workshop was a very hands-on, very challenging experience. The biggest thing I learned about script writing was daring to change – change of perspective, change of characters, maybe even changing your entire original script, but you can eventually end up with a really good script!” – Akeylah Rivero
Stephanie Street – Workshop Mentor
As a playwright, Stephanie’s first play, Sisters, was produced at the Sheffield Crucible in 2010 to critical acclaim (“fascinating, jaw-dropping candour” – The Guardian). Stephanie’s bold adaptation of Wuthering Heights played at West End’s Ambassadors Theatre in 2015. She has a number of projects in development, including a new play about young people in London and the 2011 riots, entitled Little Fish; and another new play about epilepsy and the NHS, The Downs, which was presented at the HighTide Festival.
Her theatre work has taken her from the National Theatre to the Royal Court, The Bush, Sheffield Crucible, Liverpool Everyman and Bristol Old Vic, working with directors such as Peter Gill, Max Stafford-Clark, Rufus Norris, Josie Rourke,Tamara Harvey, Mike Longhurst, Polly Findlay, Iqbal Khan, Nina Raine and Simon Reade. In 2011, she received a whatsonstage Awards nomination for Best Solo Performance for Nightwatchman at the National Theatre. In 2015 she was nominated for the Arts and Culture Award in the Asian Women of Achievements Awards.
Stephanie has also worked extensively in television, playing regular and lead roles in series across BBC, ITV, Channel 4 and Sky.
Stephanie is co-founder of THE ACT FOR CHANGE PROJECT, a Selector for the National Student Drama Festival and a trustee of Shakespeare North.
If you wish to support us or find out more about the DBS-Pangdemonium NextGen Education Programme, please email email@example.com