By Stijn Reijnders
Contemporary years have visible an explosive progress within the phenomenon of individuals traveling destinations from renowned novels, movies or tv sequence. locations of the mind's eye offers a well timed and insightful research of this way of media tourism, exploring the query of the way top to give an explanation for the expanding approval for media tourism inside of modern tradition. Drawing on huge empirical and interview fabric, this e-book examines the illustration of landscapes in well known narratives that experience encouraged media tourism, when additionally investigating the consequences through the years of such tourism on neighborhood landscapes, and the methods through which travelers applicable the panorama, experiencing and accommodating them into their mind's eye. orientated round 3 principal case reviews of renowned tv detective indicates, well-known motion pictures and vintage literature, locations of the mind's eye develops a brand new theoretical figuring out of media tourism. As such, it's going to attract sociologists and cultural geographers, in addition to these operating within the fields of media and cultural reviews, renowned and fan tradition, tourism and the sociology of rest.
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Additional info for Places of the Imagination: Media, Tourism, Culture
You could picture scenes. And you could actually see the court and the quadrangle where he [Morse] had his heart attack. And it all looked bigger on television. I think that was interesting as well. Because when you see things on television, they look a lot bigger. And then you see them in real life, and they look smaller. I think that’s television’s forte. (Lynda, background unknown) By comparing the television pictures with the actual locations in Oxford, Lynda attempts to draw a more general conclusion about the media: things on television seem to appear larger than in ‘reality’.
For the TV detective, the landscape is a realm that contains certain secrets, which means that it needs to be passed through and investigated, in search of truth and justice (cf. Sparks 1992: 126; Davis 2001: 137–8). The scenes where the detectives take to the street on foot are comparable. Viewers are offered a semi-wide shot of the street scene: chatting students wandering through the narrow streets of Oxford with books under their arms, with a bookshop or a pub in the background. In the case of Baantjer, the viewer gets bicycles and trams ploughing their way through the hectic inner city of Amsterdam, passing herring sellers and window prostitutes.
The visualized landscapes are injected with narrative meaning by the television series. This not only makes the cities of Oxford, Amsterdam and Ystad recognizable, but turns them into a meaningful landscape. A general lesson that can be gleaned from this is that narrative and visual layers of meaning are connected to each other in a more complex way than is usually supposed. Second, the visualized landscape plays an important role in the development of each individual episode. To solve the murder cases, the inspectors in Baantjer, Inspector Morse and Wallander are constantly on the move.
Places of the Imagination: Media, Tourism, Culture by Stijn Reijnders