Fictions of autonomy : modernism from Wilde to de Man - download pdf or read online

By Andrew Goldstone

ISBN-10: 019933272X

ISBN-13: 9780199332724

ISBN-10: 0199861129

ISBN-13: 9780199861125

ISBN-10: 0199861137

ISBN-13: 9780199861132

No element of modernist literature has attracted extra passionate defenses, or extra livid denunciations, than its affinity for the belief of autonomy. A trust in paintings as a legislations unto itself is valuable to the paintings of many writers from the overdue 19th century to the current. yet is that this trust only a approach of denying art's social contexts, its roots within the lives of its creators, its political and moral obligations?

Fictions of Autonomy argues that the concept that of autonomy is, to the contrary, crucial for realizing modernism traditionally. Disputing the existing skepticism approximately autonomy, Andrew Goldstone indicates that the pursuit of relative independence inside of society is modernism's special manner of with regards to its contexts. Modernist autonomy is grounded in connections to servants and audiences, getting older our bodies and cloth cabinet offerings; it joins T.S. Eliot to Adorno as exponents of past due variety and Djuna Barnes to Joyce as anti-communal cosmopolitans. Autonomy unearths new affinities throughout an expansive modernist box from Henry James and Proust to Stevens and de guy. Drawing on Bourdieu's sociology, formalist interpreting, and historic contextualization, this booklet indicates autonomy's range--and its limitations--as a modernist mode of social practice.

Nothing below a controversy for a wholesale revision of the assumptions of modernist reviews, Fictions of Autonomy can be an intervention in literary concept. This publication indicates why somebody attracted to literary background, the sociology of tradition, and aesthetics must take account of the social, stylistic, and political importance of the matter, and the capability, of autonomy

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But as Bourdieu argues, this strand of philosophical aesthetics needs to be complemented by a "historical and sociological analysis of the genesis and structure of the institution (the artistic field) which is capable . . "25 Indeed, modernist practices and concepts of autonomy were probably necessary preconditions for the development of the institutional philosophy of art; Dantos work famously turns on Duchamps sculpture, and Dickies responds to the late modernist, New Critical aesthetics of Monroe Beardsley.

John Burnett, introduction to pt. 2, "Domestic Servants," in Annals of Labour: Autobiographies of British Working-class People, 1820-1920, ed. John Burnett (Bloomington: Indiana University Press, 1974), 144. 24. Thorstein Veblen, The Theory of the Leisure Class (1899; Boston: Houghton Mirflin, 1973), 56. 25. For a summary of historians' views on the increasing "feminization" of service over time, see Bridget Hill, Servants: English Domestics in the Eighteenth Century (Oxford: Clarendon, 1996), 36-43.

Reading domestic economy manuals from the second half of the nineteenth century, John Burnett writes: "It seems certain that menservants were increasingly regarded as status symbols confined to clearly 'successful' business and professional men. 25 Though this "formal" function may not have been the only "utility" of typical servants, servant-ownership of any kind is in itself a status marker—as the attention lavished on the codes of service by the quintessentially middle-class Isabella Beeton testifies.

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Fictions of autonomy : modernism from Wilde to de Man by Andrew Goldstone

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