Brent Luvaas's DIY style : fashion, music and global digital cultures PDF

By Brent Luvaas

ISBN-10: 0857850393

ISBN-13: 9780857850393

ISBN-10: 0857850407

ISBN-13: 9780857850409

ISBN-10: 0857850474

ISBN-13: 9780857850478

ISBN-10: 0857852949

ISBN-13: 9780857852946

Armed with affordable electronic applied sciences and a fiercely self sustaining spirit, hundreds of thousands of kids from world wide have taken cultural construction into their very own palms, crafting their very own garments traces, launching their very own list labels, and forging an enormous, collaborative community of impassioned amateurs extra attracted to making than eating. DIY sort tells the tale of this foreign selfmade (DIY) move via an important case research of 1 of its largest, yet least identified contingents: the "indie" tune and type scene of the predominantly Muslim Southeast Asian island state of Indonesia. via wealthy ethnographic element, in-depth historic research, and state of the art social concept, the booklet chronicles the increase of DIY tradition in Indonesia, and in addition explores the phenomenon in Europe and the USA, portray an evocative portrait of bright groups who're not just making and dispensing pop culture all alone phrases, yet operating to rip down the limitations among construction and intake, 3rd and primary international, worldwide and native. What emerges from the booklet is a carefully confident view of the way forward for worldwide capitalism - an artistic, collectivist substitute equipped from the floor up. This intriguing and unique examine is key interpreting for college students and students of anthropology, style, media reviews, cultural reports and sociology.

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Extra info for DIY style : fashion, music and global digital cultures

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And anyone who didn’t was a model of mainstream mediocrity. Punk’s DIY ethos was also glaringly evident in its fashion sensibility. Inspired by the early work of designer Vivienne Westwood, British punks in the mid 1970s pioneered what is now standard punk practice, altering their own garments with scissors, safety pins, and permanent markers, constructing new ones out of found or recycled materials. In fact, for many non-musicians, fashion became the entryway into punk cultural production. “While some innovations in visual style,” notes Laing, “came from the early bands, later shifts came equally from off-stage and outside the 14 • DIY Style auditorium.

A coalition of loosely aligned revolutionary youth made their move, and Sukarno, sometimes against his own will, was thrust forward as their leader. He declared independence from his Jakarta residence, while kidnapped by associates of Menteng 31, a hardline independence group. Years of bloody battle ensued, with tens of thousands of local people giving their lives for independence, sometimes wielding little more than talismans and ritual swords against the far-better armed Dutch and Allied Forces, and out of the bloodbath, thus, was born Indonesia.

Like DIY’s relationship with capitalism more generally, the relationship here is more fraught and complicated than a simple either/or. The DIY ethos is both a continuation and a rupture in development thinking, a historically specific reworking of a larger, and longer running, cultural theme. The Indonesian state, after all, has preferred central management to radical democratization, a model of leadership Geertz (1981) and others (see Pemberton 1994; Baulch 2007) have referred to as the doctrine of the “exemplary center,” where the provinces were to always look to the capital of Jakarta for their example of how to think and behave.

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DIY style : fashion, music and global digital cultures by Brent Luvaas


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