By Steve Mosby
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Extra resources for Black Flowers
My father would be thrilled. The next three messages were all from Marsha, growing increasingly anxious in tone. The last of them, left this afternoon, told him she was going to try getting in touch with me to make sure he was all right. Again – he would be thrilled. The final message on the machine had been left an hour ago. Another woman’s voice that I didn’t recognise. ‘Hello,’ she said, ‘I’m trying to reach the family of Christopher John Dawson. My name is DS Hannah Price of the Whitkirk constabulary.
It looked like it had been left out in the rain, or found in a field – or maybe just thumbed through so many times that it had begun to fall apart, like some ancient map. The title at the bottom was embossed, and had once been gold, but most of the colour had flecked away over the years. THE BLACK FLOWER And in smaller letters underneath: ROBERT WISEMAN The cover image above was strikingly horrible. It resembled a rose, except the petals were black, and the centre had been twisted to form a woman’s face contorted in agony.
The recognition, coupled with the oddness of the girl’s behaviour, makes Sullivan shiver slightly. He has the odd sensation that this could actually be her, returned to her grieving, terrified parents. Of course, it can’t be, not least because Anna Hanson has already been returned. Her body washed up on the beach: tiny, grey and empty. The similarity is genuine, though, and he feels a sudden and urgent need to look after this little girl and keep her safe. She looks back at him. In all his twelve years of experience, he has never seen such despair.
Black Flowers by Steve Mosby